His prolific prose canon includes cornerstones of 19th-century intellectual and critical history such as On Translating Homer (1861), Essays in Criticism (1865) and Culture and Anarchy (1869). The influence of Arnold’s literary, social, and religious criticism has been immense. His work appears so representative of the Victorian age because.
Since its inception in 1969, Studies in the Novel has published incisive criticism of the novel across all periods and genres, and from all interpretive approaches. Covering both emerging and established novelists, its issues feature five to six essays, eight to ten reviews of recent books on novels and novelists, and the occasional review essay.Please share your experiences of working with academic journals in literary studies. Which journals move quickly on submission? Which journals give useful feedback? Which journals help your research reach an audience? See also: Film Journals.Altick, Richard D. (1957). The English common reader: a social history of the mass reading public, 1800-1900.University of Chicago Press.
Modern fiction is one of the most effective seminar essays in criticism which makes a clear break of modern fiction from the Victorian novel. Mrs. Woolf first traces the progress of the novel from its beginning in the 18th Century. But she traces it on basis of the philosophy of evaluation in general. According to her, the earlier novelists.
Victorian Britain offered to the globe an economic structure of unique complexity. The trading nation, at the heart of a great empire, developed the practices of advanced capitalism - currency, banking, investment, money markets, business practices and theory, intellectual property legislation - from which the financial systems of the contemporary world emerged.
Journal of Writing Research. Empirical Studies of the Arts. South Atlantic Quarterly. Written Communication.
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A number of studies in the 1970s have been devoted to the use of the tragic form in Hardy’s fiction, e.g. Dale Kramer’s Thomas Hardy: The Forms of Tragedy (1975) and Jeannette King’s Tragedy in the Victorian Novel, Theory of Practice in the Novels of George Eliot, Thomas Hardy and Henry James (1978).
This is a book about the things we hide from other people. Love affairs, grief, domestic strife and the mess at the bottom of your handbag. Part memoir, part imagined history, in The Lost Properties of Love, Sophie Ratcliffe combines her own experience of childhood bereavement, a past lover, the reality about motherhood and marriage, with undiscovered stories about Tolstoy and trains, handbags.
Victorian Poetry in Context offers a lively and accessible introduction to the diverse range of poetry written in the Victorian period. Considering such issues as reform and protest, gender, science and belief this book sets out the social and cultural contexts for the poetry of a fast-changing era. Sections on Victorian poetics, form and Victorian voices introduce the key literary contexts of.
The style of the Victorian novel Virginia Woolf in her series of essays The Common Reader called George Eliot's Middlemarch “one of the few English novels written for grown-up people.” This criticism, although rather broadly covering as it does all English literature, is rather a fair comment on much of the fiction of the Victorian Era.
Aggression or Regression: A Comparative Study of Heroines in The Mill on the Floss and Pride and Prejudice. The basic formula in the English Victorian novel seems to be an individual standing against the world (of the Victorian society). George Eliot’s The Mill on the Floss (1860) and Jane Austen’s Pride and Prejudice (1833) are two excellent examples of intellectual heroines standing.
Essays on the usefulness of biography in approaching late Victorian artists provide a detailed scrutiny of modern biography across disciplines and from a rich array of vantage points. Additional essays on E. M. Forster and the relations between England and India analyze the role of cultural difference in biography.
Victorian Literature and Finance is the first extended study to take seriously the relationships between literary forms and those more complex discourses of Victorian high finance. These essays move beyond the examination of literature that was merely impatient with the perceived consequences of capitalism to analyze creative relationships.
Put simply, Victorian literature mattered, as did the Victorian period more generally, because it was the source of modern class society, the processes that continued to shape 20th-century society and were driving history into the future. Given this analysis, it is perhaps not surprising that the urban proletariat tends to dominate studies of.
Michael J. Sullivan is a Junior Research Fellow at Christ Church, Oxford, and former Visiting Fellow in the Study of Manuscripts at the Houghton Library, Harvard. Before arriving at Oxford, he was an AHRC-funded PhD candidate at Trinity College, Cambridge, where he also studied for an MPhil in Eighteenth-Century and Romantic Studies. For his.