The Writer's Notebook: Craft Essays from Tin House: Amazon.

In her essay “On the Making of Orchards,” Aimee Bender quotes a line from Dante suggesting that art is God’s grand-child. After finishing the last of these essays, we may all feel a little closer to being the distant relatives of art or nature or God. Reading The Writer’s Notebook II is like spending a couple of.

The Writer's Notebook: Craft Essays from Tin House combines the best craft seminars in the history of the Tin House Summer Writers Workshop with a variety of essays written by some of Tin House's favorite authors, offering aspiring writers insight into the craft of writing.

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The Writer's Notebook offers aspiring authors the most enlightening and engaging seminars and essays from some of Tin House's favorite writers. Jim Shepard, Aimee Bender, Steve Almond, Antonya Nelson and others break down specific elements of craft and share insights into the joys and pains of their own writing.

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The Writer's Notebook combines the best craft seminars from the Summer Writers Workshop's history with craft essays by some of Tin House's favorite authors and features a list of contributors that reads like a veritable whos who of contemporary poets and prose writers. Jim Shepard, Aimee Bender, Steve Almond, D. A. Powell, Chris Offutt, and others distill elements of writing and share insights.

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The Writer's Notebook II offers aspiring authors sixteen insightful essays about the craft of writing by Tin House authors and summer workshop faculty members, including Aimee Bender, Steve Almond, Maggie Nelson, Karen Russell, Benjamin Percy, and others.The Writer's Notebook II continues in the tradition of The Writer's Notebook, featuring essays based on craft seminars from the Tin House.

The writer's notebook: craft essays from Tin House Portland, OR: Tin House Books; Berkeley, CA: Distributed to the trade by Publishers Group West, (2009) First U.S. edition.

If we take The Writer's Notebook: Craft Essays from Tin House (Tin House Books) to be a representative gathering of critical wisdom from current American writers, what does it ultimately tell us about these writers' understanding of the purpose of fiction, their widely-shared assumptions?. Unfortunately, in my view it tells us that their understanding of fiction's purposes is very limited.